sc4m.co.uk Report : Visit Site


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    The description :sc4m.co.uk search primary menu skip to content home about mailing list and tickets swiss cottage sessions swiss cottage rogues’ gallery find us past shows links shop sc4m at rhythmtree festival, july...

    This report updates in 02-Dec-2018

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sc4m.co.uk search primary menu skip to content home about mailing list and tickets swiss cottage sessions swiss cottage rogues’ gallery find us past shows links shop sc4m at rhythmtree festival, july 14 the history of sc4m search for: amy speace plus special guests in the swiss cottage, february 1 november 14, 2018 [email protected] nashville-based, amy speace is a folk singer, timeless and classic, and a bit out of her own era. “she has one of the richest and loveliest voices in the genre and her songs are luxuriously smart,” writes journalist craig havighurst (host of nashville’s “music city roots). “she’s profoundly personal yet also a bit mythic.” since her discovery in 2006 by folk-pop icon judy collins, who signed her to her own imprint wildflower records, speace has been heralded as one of the leading voices of the new generation of american folk singers. her song “the weight of the world” was named as the #4 best folk song of the last decade by nyc’s premiere aaa radio station, wfuv and was recorded by judy collins. from her beginnings in new york city as a classically-trained actress with the national shakespeare company to the coffeehouses of greenwich village where she began playing her original songs to her move to east nashville in 2009 to her most recent release, “that kind of girl”, what ties all of her work together is a palpable empathy for the small struggles of the human condition. rock critic dave marsh, long a fan, wrote “amy speace’s songs hang together like a short story collection, united by a common vantage point and common predicaments…it’s a gift to hear a heart so modest even when it’s wide open.” amy has been featured on npr’s “all things considered” and “marketplace” and has appeared 4 times on “mountain stage”, as well as many folk festivals around the world. a prolific writer of prose as well, she has also written articles for the new york times, american songwriter magazine, pop matters and other journals and magazines. while pregnant with her first baby, she began recording her next solo album, “me & the ghost of charlemagne,” produced by neilson hubbard, which will be released later in 2019 by proper records. amy is also 1/3 of the acclaimed americana trio, applewood road (emily barker and amber rubarth). tickets here: http://sc4m.co.uk/swiss-cottage-sessions/ andrew combs in the attic, january 31 october 16, 2018 [email protected] plus special guest charlie whitten a dallas native now living near the same nashville airport immortalised in the opening sequence of robert altman’s country music odyssey, andrew combs is a singer, songwriter, guitarist, and heir to that 1975 film’s idea of the nashville troubadour as a kind of musical monk. as a songwriter, combs relies on meditative restraint rather than showy insistence to paint his canvases, a technique commensurate with his idea of nature as an overflowing spiritual wellspring. combs refines the vulnerable vagabond persona he mastered on all these dreamswhile pushing it beyond those boundaries, into a more pastoral realm aligned with artists like nick drake and tim buckley. the idea of the artist’s creative life as an ecosystem – one just as in need of cultivation and care as our own imperiled world – informs much of canyons of my mind. laura veirs – two shows at the railway on february 10 october 12, 2018 [email protected] the very special guest is sam amidon and you can buy tickets for the afternoon show (4pm), the evening show (8pm) or both shows for a bargain price. a prolific songwriter for nearly twenty years, laura veirs proves the depth of her musical skill on her tenth solo album, the lookout. here is a batch of inimitable, churning, exquisite folk-pop songs; a concept album about the fragility of precious things. produced by grammy-nominated tucker martine, veirs’ longtime collaborator, the lookout is a soundtrack for turbulent times, full of allusions to protectors: the camper stoking a watch fire, a mother tending her children, a sailor in a crows nest and a lightning rod channeling energy. “the lookout is about the need to pay attention to the fleeting beauty of life and to not be complacent; it’s about the importance of looking out for each other,” says veirs. “i’m addressing what’s happening around me with the chaos of post-election america, the racial divides in our country, and a personal reckoning with the realities of midlife: i have friends who’ve died; i struggle with how to balance life as an artist with parenting young children.” written and produced on the heels of veirs’ acclaimed album with neko case and kd lang (case/lang/veirs), the lookout integrates the fluency of collaboration with veirs’ notorious work ethic. the twelve songs on the album are the result of a years’ worth of daily writing in her attic studio in portland, ore. “twenty years ago when i was just starting out with my punk band, it never occurred to me to write five versions of a song,” says veirs. “i’ve learned to see how malleable lyrics and melodies can be. i have more tools as a musician so i write many versions of songs until i find the right fit.” such range is demonstrated on the operatic vocals of “the meadow” and the intricate finger picking on “watch fire.” “the lookout,” the album’s title track, is an ecstatic anthem to trusted relationships. the lookout draws on the talents of a time-tested crew of musicians: karl blau, steve moore, eli moore, eyvind kang and martine. says veirs, “these guys are a good hang, ego-free and wonderful players who just want to serve the songs.” sufjan stevens and jim james provide guest vocals. for martine, who fell, almost two decades ago, for veirs’ unique sound after listening to a tape cassette she’d sent him in the mail, this album reflects a bar that keeps getting raised. both familiar and strange, the lookout gets better with repeated listens, warming to the skin like a cherished saddlebag, critical for the journey ahead. tickets from www.railwayinn.pub john blek plus guests in the swiss cottage, april 13, 2019 october 7, 2018 [email protected] ever prolific, blek has released 5 albums in the last 5 years. currently he is preparing to release number 6, his new album thistle & thorn due on 1st feb 2019. ‘salt in the water’ from blek’s current album catharsis vol.1, was nominated for song of the year at the international folk music awards 2018 at folk alliance international in kansas city. it’s been a busy few yearsand it shows no sign of letting up. endless tours and recording in ireland, europe, uk and usakeep the irish troubadour busy. he is a master storyteller and an inspiring live performer. his beautiful finger style guitar and joyous vocal weave a tapestry that is as poignant as it is skilful. tickets here: http://sc4m.co.uk/swiss-cottage-sessions/ the delines – 2 shows at the railway – february 3 sold out october 6, 2018 [email protected] sold out you can buy tickets for the afternoon show, the evening show, or both (at a bargain price). go to the railway website at www.railwayinn.pub and click through. the delines’ debut album colfax surprised fans and critics alike. the band had only been together a week when they went into the studio and cut the record. uncut gave it 9/10 stars and praised its “widescreen romanticism”, calling it “the richest collection of songs vlautin has written.” evoking the feel of a beat-up dusty springfield or a weary rickie lee jones, colfax made a dozen top ten records of the year lists and the delines sold out venues in the uk, ireland, and had successful tours in the europe and australia. the guardian declared them the surprise hit of the end of the road festival and then it all came to a stop. lead singer amy boone was hit by a car in austin, texas, and put into hospital and recovery for many months, finally putting the band on hold for over three years. amy is finally on the mend and the delines are back with their sophomore effort released next january ahead of their uk tour. the deline

URL analysis for sc4m.co.uk


http://sc4m.co.uk/#content
http://sc4m.co.uk/amy-speace-plus-special-guests-in-the-swiss-cottage-february-1/
http://sc4m.co.uk/peter-bruntnell-and-bj-cole-railway-november-15/
http://sc4m.co.uk/author/oliversxsc-org/
http://sc4m.co.uk/swiss-cottage-rogues-gallery-2/
http://sc4m.co.uk/dan-stuart-with-tom-heyman-on-the-swiss-cottage-december-1/
http://sc4m.co.uk/sc4m-stage-at-rhythmtree-festival-on-the-isle-of-wight/
http://sc4m.co.uk/mailing-list/
http://sc4m.co.uk/mailing-list-and-tickets/#comments
http://sc4m.co.uk/find-us/
http://sc4m.co.uk/links/
http://sc4m.co.uk/shop-2/
http://sc4m.co.uk/zander-out-now/
http://sc4m.co.uk/about/
http://sc4m.co.uk/john-blek-in-the-swiss-cottage-april-13-2019/

Whois Information


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Error for "sc4m.co.uk".

the WHOIS query quota for 2600:3c03:0000:0000:f03c:91ff:feae:779d has been exceeded
and will be replenished in 25466 seconds

WHOIS lookup made at 19:12:35 14-Sep-2017

--
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:

Copyright Nominet UK 1996 - 2017.

You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS sc4m.co.uk

  PORT 43

  TYPE domain

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED no

DOMAIN

  NAME sc4m.co.uk

NSERVER

  NS2.TSOHOST.CO.UK 95.142.155.4

  NS1.TSOHOST.CO.UK 195.62.28.14

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